Publications

Amalia Araujo, Raquel López, Esther Viñuela Lozano (2023). Environmental Sustainability Guide For Enterprising Musicians.

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Martin Senfleben, Thomas Margoni, Daniel Antal, Balazs Bodó, Stef van Gompel, Christian Handke, Martin Kretschmer, Joost Poort, João Quintais, Sebastian Felix Schwemer (2022). Ensuring the Visibility and Accessibility of European Creative Content on the World Market: The Need for Copyright Data Improvement in the Light of New Technologies. In JIPITEC.

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Daniel Antal (2021). An Empirical Analysis of Music Streaming Revenues and Their Distribution.

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Daniel Antal, Dáša Bulíková (translator) (2021). Feasibility Study On Promoting Slovak Music In Slovakia & Abroad.

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Daniel Antal, Amelia Fletcher, Peter Ormosi (2021). Music Streaming: Is It a Level Playing Field?.

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Balazs Bodó, Daniel Antal, Zoltan Puha (2020). Can scholarly pirate libraries bridge the knowledge access gap? An empirical study on the structural conditions of book piracy in global and European academia.

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Paul Carr (2020). The Welsh Music Industries In a Post-Covid World.

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Daniel Antal (2020). Central & Eastern European Music Industry Report 2020.

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Daniel Antal, CFA (2019). Private Copying in Croatia.

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Daniel Antal, CFA (2019). Slovak Music Industry Report.

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Daniel Antal (2017). The Growth of the Hungarian Popular Music Repertoire: Who Creates It And How Does It Find An Audience.

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Daniel Antal (2015). Creating better national cultural statistics with Eurobarometer datasets and ESSNet-Culture technical recommendations.

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Daniel Antal (2015). Hungarian Music Industry Report.

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Paul Carr (2011). Investigating the Live Music Industry in Wales: A Critical Analysis.

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Daniel Antal, Rita Kiss (2009). Market size of the re-usable public sector information in Hungary. Market size of the re-usable public sector information in Hungary.