Our article on the trade-offs between data harmonisation and interoperability on the one hand, and transparency and accountability of content recommender systems, and the necessity to take metadata problems in Europe more seriously has been published in the Journal of Intellectual Property, Information Technology and Electronic Commerce Law.
After a very thorough modernization of the package’s exception handling, documentation, and code dependencies that I did in the last week, the spotifyr package has passed again the peer-review standards and it is back on CRAN. The package is an excellent starting to point for R newbies to try their hands on musicology analysis with a few keystrokes. And of course, it is an essential part of the research infrastructure of musicology worldwide in far more advanced applications.
Open data is like gold in the mud below the chilly waves of mountain rivers. Panning it out requires a lot of patience, or a good machine. I think we will come to as surprising and strong findings as Bellingcat, but we are not focusing on individual events and stories, but on social and environmental processes and changes.
101 Dalmatians was released in 1985 and 1991 which made thousands of families (in the U.S.) want to adopt one. The American Kennel Club reported that the annual number of Dalmatian puppies registered skyrocketed from 8,170 animals to 42,816.
The idea behind Listen Local is simple: we want machine learning algorithms of Spotify, YouTube, or other services to learn more about Slovak music. In order to make machines learn about Slovak music, we have to make machine-readable tables of Slovak music for AI learners
In complex systems there are hardly ever singular causes that explain undesired outcomes; in the case of algorithmic bias in music streaming, there is no single bullet that eliminates women from charts or makes Slovak or Estonian language content less valuable than that in English.
Our new study opens the question of the local music promotion within the digital environment. The Slovak Performing and Mechanical Rights Society (SOZA), the State51 music group in the United Kingdom, and the Slovak Arts Council commissioned Reprex to created a feasibility study which provides recommendations for better use of quotas for Slovak radio stations and which also maps the share and promotion of Slovak music within large streaming and media platforms such as Spotify.
Why are the total market shares of Slovak music relatively low both on the domestic and the foreign markets? How can we measure the market share of the Slovak music in the domestic and foreign markets? We offer some answers and solution based on …
While the US have already taken steps to provide an integrated data space for music as of 1 January 2021, the EU is facing major obstacles not only in the field of music but also in other creative industry sectors. Weighing costs and benefits, there can be little doubt that new data improvement initiatives and sufficient investment in a better copyright data infrastructure should play a central role in EU copyright policy. Preprint of our article with copyright researchers.