CEEMID

EU Datathon 2021

Reprex, a Dutch start-up enterprise formed to utilize open source software and open data, is looking for partners in an agile, open collaboration to win at least one of the three EU Datathon Prizes.

Music Reports

Reproducible (automatically refreshing) advocacy reports, valuation and grant assessment reports, regulatory filings

Our Approach To A European Music Observatory

We want reduce data inequalities within Western and Eastern, Northern and Southern Europe, and contribute to a transparent data observatory that is inclusive for all.

First CEEMID Regional Open Data Release

In the preparation to make the CEEMID available as an open-source data integration platform and as a source of open data for the European Music Observatory, the first regional dataset was published today.

CCS Ecosystems: Evidence-Driven CCI Policy & The Central & Eastern European Music Industry Report

The Central & Eastern European Music Industry Report 2020 was presented as a case-study on national and comparative evidence-based policymaking in the cultural and creative sector.

Czech Music Development Program & Comparative Market Research

A Progress Report on the Czech Music Development Program and problems in an international context. We would like to invite any Czech stakeholders, or even individuals to join our Research Consortium, because in the music sector, all organization are microenterprise or small enterprise sized, they usually have no significant market research, innovation and strategic HR management capacities. We hope to give them in each country useful tools.

Private Copying in Croatia

My study, Private Copying in Croatia, argues for an overhaul of the Croatian private copying remuneration scheme and gives some empirical evidence for the transposition of the DSM Directive. Even for those who are not interested in royalties, the first 3 chapters offer a very interesting introduction on how people listen to music, how musicians make music and how people copy it in the 21st century.

Central European Music Industry Report Presentation

We had the first public and panel discussion of the forthcoming Central European Music Industry Report. After mapping and analysing in depth the music industries of several CEE countries, I put together with the help of Consolidated Independent and state51 a regional report in previously unseen detail.

CEEMP Session: Licensing, How To Tackle The Value Gap And A Discussion on Licensing Initiatives

CEEMID had the honor to participate in the third panel of CEEMP in Warsaw together with Ben McEwen from ICE; Jules Parker from Spotify and Dominic Houston from Netflix, and Chris Butler from Music Sales, who is also the chairperson of ICMP. Our panel was moderated by Nigel Elderton from peermusic, who is also the new chairperson of PRS in the UK.

The Growth of the Hungarian Popular Music Repertoire: Who Creates It And How Does It Find An Audience

Being visible in the world is always difficult in the Central and Eastern European region. Made in Hungary is the first book in the Popular Music Studies series of Routledge from the region. A description of our first datasets, the motivation of …